The ARRI ALEXA 35 is a groundbreaking addition to ARRI’s esteemed lineup of cinema cameras, representing the company’s first foray into the 4K Super 35 digital camera space. Renowned for their unparalleled image quality and robust build, ARRI cameras have long been a staple in the film industry, and the ALEXA 35 takes this legacy to new heights.
4.6K Super 35 Sensor
The ALEXA 35 introduces a new 4.6K Super 35 sensor that captures images with remarkable clarity and detail. With 17 stops of dynamic range, the sensor excels in both highlights and shadows, offering unmatched flexibility for high-contrast scenes. This makes the ALEXA 35 a top choice for cinematic productions where every detail matters.
ARRI REVEAL Color Science
The ALEXA 35 debuts ARRI’s REVEAL Color Science, which enhances color fidelity and skin tone reproduction. The system delivers stunningly natural colors while preserving incredible tonal depth, allowing filmmakers to achieve a true-to-life cinematic look with minimal post-production effort.
Native 4K UHD Recording
Compliant with Netflix and other streaming platform requirements, the ALEXA 35 supports native 4K UHD recording. This ensures seamless delivery of cinematic-grade visuals for both theatrical releases and digital platforms.
Enhanced Low-Light Performance
The ALEXA 35 raises the bar for low-light shooting with reduced noise and exceptional image quality across a wide ISO range. Whether capturing a dimly lit scene or shooting at night, the camera delivers clean and vibrant footage with minimal compromise.
Expanded Lens Compatibility
With its LPL (Large Positive Lock) mount, the ALEXA 35 supports ARRI Signature Primes, anamorphic lenses, and vintage glass, giving cinematographers immense creative flexibility. Additionally, the camera offers extensive options for metadata integration, streamlining production workflows.
Robust Build and Ergonomics
The ALEXA 35 features ARRI’s trademark rugged design, built to endure the rigors of professional production environments. Its modular form factor allows for extensive customization, accommodating various shooting styles, from handheld setups to large-scale rigs.
Advanced HDR Workflows
The ALEXA 35 is designed with HDR (High Dynamic Range) workflows in mind, ensuring rich, lifelike images that retain depth and texture across the brightest and darkest parts of a scene. This makes it an ideal tool for projects pushing visual boundaries.
State-of-the-Art Image Processing
The camera features ARRI’s next-generation image processing engine, which maximizes the potential of the 4.6K sensor. This system ensures a smooth workflow with superior image quality, including improved highlight roll-off and color reproduction.
Professional Audio and Connectivity
The ALEXA 35 includes high-quality audio inputs and outputs, timecode sync, and an array of connectivity options like SDI and Ethernet. These features ensure seamless integration into complex production setups.
Environmental Adaptability
Designed to excel in diverse shooting conditions, the ALEXA 35 is weather-sealed and can operate in extreme temperatures. Its cooling system ensures consistent performance during extended shoots, further solidifying its reliability on demanding sets.
| Feature | Specification |
| Model | ARRI ALEXA 35 |
| Sensor Type | Super 35 format ARRI ALEV 4 CMOS sensor with Bayer pattern color filter array |
| Sensor Maximum Number of Photosites and Size | 4608 x 3164, 27.99 x 19.22 mm / 1.102 x 0.757″, Ø 33.96 mm / 1.337″ |
| Sensor Frame Rates | 0.75 – 120 fps |
| Weight | ∼2.9 kg / 6.4 lbs (camera body with three antennas and LPL Mount (LBUS)) |
| Photosite Pitch | 6.075 μm |
| Sensor Active Image Area (photosites) | Multiple formats ranging from 4.6K 3:2 Open Gate to 2K 16:9 S16 |
| Sensor Active Image Area (dimensions) | Dimensions corresponding to active image areas from 28.0 x 19.2 mm to 12.4 x 7.0 mm |
| Recording File Container Size (pixel) | Various resolutions from 4.6K 3:2 Open Gate to 2K 16:9 S16 |
| Dynamic Range | 17 stops |
| Exposure Index | Adjustable from EI 160 – 6400 in 1/3 stops |
| Shutter | Electronic shutter, 5.0°- 356° or 1s – 1/8000s |
| Recording Formats | MXF/ARRIRAW, MXF/Apple ProRes 4444 XQ, MXF/Apple ProRes 4444, MXF/Apple ProRes 422 HQ |
| Recording Media | Codex Compact Drive 1TB (CA08-1024), Codex Compact Drive 2TB (CB16-2048) |
| Recording Frame Rates | Numerous frame rates for ARRIRAW and Apple ProRes across various formats |
| Recording Modes | Standard real-time recording, pre-recording |
| Viewfinder Type | Multi Viewfinder MVF-2 with 4″ flip-out touchscreen monitor |
| Viewfinder Technology | OLED viewfinder display, LCD flip-out monitor |
| Viewfinder Resolution | OLED: 1920 x 1080 |
| Color Output | ARRI Color Management Display Render Transforms: Rec 709, Rec 2020, Rec 2100 PQ, Rec 2100 HLG; LogC4; Custom Color Management |
| Look Control | ARRI Look File ALF-4, custom 3D LUTs, ASC CDL parameters, ARRI Look Library, ARRI Textures |
| White Balance | Manual and auto white balance, adjustable from 2000K to 11000K in 10K steps |
| Filters | Built-in motorized ND filters: Clear, 0.6, 1.2, 1.8; Fixed optical low pass, UV, IR filter |
| Image Outputs | Multiple outputs including 12G SDI and CoaXPress for viewfinders |
| Lens Squeeze Factors | Supports multiple squeeze factors including 1.00, 1.25, 1.33, 1.50, 2.00 |
| Exposure and Focus Tools | False color, zoom, aperture, color peaking |
| Audio Input | LEMO 6-pin balanced stereo line in with 12V power out |
| Audio Output | SDI (embedded), 3.5mm headphone jack |
| Audio Recording | 4-channel linear PCM, 24 bit 48 kHz |
| Remote Control Options | MVF-2 viewfinder as wired remote, Camera Companion App, Ethernet/Wi-Fi control |
| Interfaces | Extensive I/O including LBUS, ETH, USB-C, and more |
| Wireless Interfaces | Built-in Wi-Fi module, ARRI ECS White Radio |
| Lens Mounts | ARRI LPL Mount (LBUS), PL-to-LPL Adapter, ARRI EF Mount |
| Power Input | LEMO 8-pin, rear interface for battery adapters |
| Power Consumption | ~90 W (camera body and MVF-2) |
| Power Outputs | Multiple power outputs including RS, 12V, LBUS, and ETH connectors |
| Measurements | 147 x 152.5 x 203 mm / 5.8 x 6.0 x 8.0″ |
| Operating Temperature | -20°C to +45°C / -4°F to +113°F |
| Storage Temperature | -30°C to +70°C / -22°F to +158°F |
| Sound Level | < 20 dB(A) at 30fps and standard conditions |
| Software Licenses | ALEXA 35 Cine License (included), Multicam License (optional) |
